The Land Before and After Time

Victoria Burge, New Mexico, ink, acrylic and pencil on paper, 28.5” x 24.5”, 

Nancy Cohen, Contradiction in Terms, 2010-2013, Metal, rubber, glass, wire, monofilament, paper pulp, cement, 51" x 8" x 18"   

Janet Culbertson, Buy, 2013, oil on canvas with collage, 24” x 36”   

Susanna Heller, Necklace of Stones, 2012, oil on linen, 51” x 63”    

Kate Elliot, What will come?, 2011, wire, clay, wood, wax, 36" L x 32" W x 15" H 

Kim Keever, Less Than Strangers, 2000, C-print with 2” border 1/3, 50” x 67”, Courtesy Charles Banks Gallery

Nicola Lopez, Structural Detour 13, Fence and Bridges Suspended in Electric Orange, 2011, woodcut and mixed media collage, 50 ¼ x 50 ½ inches, Edition Unique of 1, Monotype, Courtesy Pace Editions Inc  

Judy Pfaff, Night Blooming Ceres, 2012, steel wires, various plastics & papers, shellacked Chinese paper lanterns, honeycomb cardboard and fluorescent lights, 95 x 83 x 32 inches  

Darren Waterson, Constructing Paradise, no. 2, 2012, Oil on wood panel, 30 x 26 inches 

Simone Meltesen, Untitled Queer Landscape 1, 2012, gouache on paper, 30"x22"  

Simone Meltesen, Untitled, 2013, etching on Rives BFK, edition of 10, 11" x 10.5"   

Bill Leech, Science Fiction. Radioactive Blobs. Old Postcard, 2013, Inkjet print, 6.5” x 10.5” 

Bill Leech, Black Night is Falling…, 2013, collaged papers mounted on museum board, 10” x 13”  

Planetary Atomic World, 4/16/64, watercolor on Paper, 11 x 17 inches, (Nel 133)

EndFragment

Cosmic #4, n.d., mineral pigment, watercolor/paper, 11 x 16.5 inches

 

EndFragment

Melvin Edward Nelson, Planetary Ladder, 1964, watercolor/paper, 11 x 17 inches

 Mitch Miller Flying Rigs 1, 2013, wood, resin and paper on paper 

Mitch Miller, Flying Rigs 2, 2013, wood, resin and paper on paper,  [if gte mso 9]> 0 false 18 pt 18 pt 0 0 false false false

Mitch Miller, Flying Rigs 3, wood, resin and paper on paper,  [if gte mso 9]> 0 false 18 pt 18 pt 0 0 false false false

Mitch Miller, Whoooa Sh*#%!T Exploration 2, 2008, polyester resin, acrylic paint, spray paint, paper, and wood, approx. 62” x 30”

Florencio Gelabert, Absentia, 2013, tiles, cardboard, clayrock, watercolor, 12" x 12" x 2"