Mary Grigoriadis
Resume
SELECTED EXHIBITIONS2013 Strokescapes: 1970's - 1980's, Accola Griefen Gallery, New York NY
2012 “Visual Feast - A Pattern & Decoration Exhibition,” Accola Griefen Gallery, New York
Kouros Gallery, “The Other Greece,” New York
2009 Kresge Art Museum, “Recent Acquisitions 2006-2009,” East Lansing, MI
2008 United States Embassy, “Contemporary Art by American Women,” Belgrade, Serbia
A.I.R. Gallery, “The History Show,” Brooklyn, NY
Werkstatte Gallery, “A.I.R. Gallery Retrospective: 1972-1979,” New York
2007 United States Embassy Annex, “Embassy Art Collection,” Athens, Greece
Tabla Rasa Gallery, “Women’s Work, Homage to Feminist Art,” Brooklyn, NY
2006 National Museum of Women in the Arts, “Vistas and Visions,” Washington, DC
2004 Parrish Art Museum, “Recent Acquisitions: Framing the Collection,” Southampton,
National Museum of Women in the Arts, “Modern and Contemporary Art:
Selections from the Permanent Collection,” Washington, DC
A.I.R. Gallery, “Sketches,” New York
2003 United States Embassy, “Art in Embassies,” Cape Town, South Africa
United States Embassy, “Art in Embassies,” Pretoria, South Africa
2002 Guild Hall Museum, “Personal and Political: The Women’s Art Movement, 1969-1975,” East Hampton, NY
Guild Hall Museum, “Works from the Permanent Collection,” East Hampton, NY
2001 Lowe Gallelry, “Drawing, Line, Skill, Imagination,” New York
2000 State Museum of Contemporary Art, “Modern Odysseys,” Thessaloniki, Greece
1999 Queens Museum of Art, “Modern Odysseys,” New York
1998 55 Mercer Gallery, “Four by Four,” New York
1996 Rutgers University, “25 Years of Feminism, 25 Years of Women’s Art,” New Brunswick, NJ
Barnard College, “Open Book,” New York
1995 National Museum of Women in the Arts, “Establishing the Legacy: Renaissance to Modernism,” Washington, DC
1994 Bernard-Biederman Fine Art, “Texture as Art,” New York
1991 Franklin Furnace, “Burning in Hell,” New York
1990 Bernice Steinbaum Gallery, “The Definitive Contemporary American Quilt,” NY
(Travelled in the United States and Japan through 1991)
The Virginia Museum of Fine Arts, “Marcel Duchamp’s Mother’s Potato-Masher and Other Works of Art: A Gift of Best Products,” Richmond, VA
Cooper Union, “New Voices,” New York
H.B.O Headquarters, “Contemporary American Painting: An Alternative View,” NY
Springs Gallery, “Memory and Artifact,” East Hampton, NY
1989 A.I.R. Gallery - Solo Exhibition - “Fifteen Years,” New York
1988 Barnard College - Solo Exhibition - New York
Muse Gallery, “A.I.R. at Muse,” Philadelphia, PA
Hellenic American Union, “New Acquisitions of the Vorres Museum,” Athens, GR
AartVark Gallery, “Three Artists,” Philadelphia, PA
1987 Guild Hall Museum, “New Spaces, New Faces,” East Hampton, NY
A.I.R. Gallery, “9,” New York
1986 A.I.R. Gallery - Solo Exhibition - New York
Bernice Steinbaum Gallery, “Let’s Play House,” New York
1985 Bernice Steinbaum Gallelry, “Adornments,” New York (Travelled nationally through 1986)
1984 A.I.R. Gallery - Solo Exhibition - New York
Douglsss College, “Representative Works, 1971-1984,” Women Artists Series, New Brunswick, NJ
1983 Helen Shlien Gallery, - Solo Exhibition - Boston, MA
Barreto and DeJesus, “American and Latin Drawings,” Boston, MA
Queensborough College Art Gallery, “The Walls of the Seventies,” New York
1982 A.I.R. Gallery - Solo Exhibition - New York
Lunds Konsthall, “A.I.R.,” Stockholm, Sweden
1981 Helen Shlien Gallery - Solo Exhibition - Boston, MA
Douglass College, “Tenth Anniversary Retrospective,” New Brunswick, NJ
Aldrich Museum of Contemporary Art, “New Dimensions in Drawing,” Ridgefield
1980 A.I.R. Gallery - Solo Exhibition - New York
State University of New York, “Eight from New York,” Stony Brook, NY
Alternative Museum, “Islamic Allusions,” New York
1979 Douglass College - Solo Exhibition - New Brunswick, NJ
Andre Zarre Gallery, “Pattern Painting,” New York
1978 Gallery K - Solo Exhibition - Washington, DC
A.I.R. Gallery - Solo Exhibition - New York
Helen Shlien Gallery - Solo Exhibition - Boston, MA
State University of New York, “Women Artists from New York,” Stony Brook, NY
Douglass College, “Decorative Art - Recent Works,” New Brunswick, NJ
P.S. #1, “A.I.R. - An Overview 1972-1978,” New York
Gladstone-Villani Gallery, “Pattern on Paper,” New York
Gallery Ginza Kaigakan, “A.I.R. Gallery Artists,” Tokyo, Japan
Rice University, “Pattern Painting,” Houston, TX
1977 P.S. #1, “Pattern Painting,” New York
Albright-Knox Museum, “ Small Works,” Buffalo, NY
The Brooklyn Museum, “Noemata,” Brooklyn, NY
Kathryn Markel Gallery, “A.I.R. Print Portfolio,” New York
Munson-Williams Proctor Institute, “A Critic’s Choice,” Utica, NY
1976 A.I.R. Gallery - Solo Exhibition - New York
OK Harris Gallery - Solo Exhibition - New York
1975 A.I.R. Gallery - Solo Exhibition - New York
The Bronx Museum of the Arts, “The Year of the Woman,” Bronx, NY
1974 American Academy of Arts and Letters, “Award Exhibition,” New York
Museum of the Philadelphia Civic Center, “Women’s Work-American Art,” Phil., PA
1973 Whitney Museum of American Art, “Biennial Exhibition of Contemporary Art,” NY
1972 A.I.R. Gallery - Solo Exhibition - New York
AWARDS & SERVICE
1989 New York Foundation for the Arts, Fellowship Award in Drawing
2002 Advisory Board Member, A.I.R. Gallery: 2002 to date
SELECTED BIBLIOGRAPHY
BIENNIAL EXHIBITION OF CONTEMPORARY AMERICAN ART. Exhibition catalogue,Whitney Museum of American Art. (*Simple Pleasures)
Glueck, Grace. “In Phildelphia, Sisterly Love.” THE NEW YORK TIMES, May 26,1974.
Van Baron, Judith. THE YEAR OF THE WOMAN. Exhibition catalogue, The Bronx Museum of the Arts, January 16-February 20, 1975.
Bourdon, David. “Far Out and Far In.” THE VILLAGE VOICE, January 20, 1975.
Kozloff, Max. “Reviews.” ARTFORUM, March 1975. (*Giotto’s Oranges)
Lubell, Ellen. “Reviews.” ARTS Magazine, March 1975.
Ratcliff, Carter. “New York.” ART SPECTRUM, March 1975. (*Giotto’s Oranges)
ART: WOMEN’S SENSIBILITY. Feminist Art Program, California Institute of the Arts, 1975. (*Cypress Clouds)
Kingsley, April. “Painted Portraiture Lives.” SOHO WEEKLY NEWS, January 15, 1975.
Alloway, Lawrence. “Women’s Art in the 70’s.” ART IN AMERICA, May-June 1976.(*Etruscan Amber)
Nemser, Cindy. “Towards a Feminist Sensibility, Contemporary Trends in Women’s Art.” THE FEMINIST ART JOURNAL, Summer 1976. (*Deus Ex Machina)
Kingsley, April. “Last Round-Up of the Year.” SOHO WEEKLY NEWS, December 16,1976. (*Sierra)
Lubell, Ellen. “Reviews.” ARTS Magazine, February 1977. (*Sierra)
Moore, Sylvia. “Reviews.” THE FEMINIST ART JOURNAL, Spring 1977. (*Sierra)
Herrera, Hayden. “Reviews.” ART IN AMERICA, March-April 1977. (*Virginia’s Dawn)
NOEMATA. Exhibition catalogue Brooklyn Museum, May 1-June 5, 1977 (*Virginia’s Dawn)
Kingsley, April. “Opulent Optimism.” THE VILLAGE VOICE, November 28, 1977.
Rickey, Carrie, “Pattern Painting.” ARTS Magazine, January 1978. (*Poppy)
Robins, Corinne. A.I.R. - OVERVIEW 1972-1977. Exhibition catalogue, P.S. #1, 1977. (*Byzantine Strokescape and *Sierra)
Lewis, JoAnn. “Galleries.” THE WASHINGTON POST, February 18, 1978.
Robins, Corinne. “Mary Grigoriadis.” ARTS Magazine, September 1978. (*Pegassus)
Perreault, John. “Persistent Patterns.” SOHO WEEKLY NEWS, September 21, 1978. (*Summer’s Space)
Frank, Peter. “Pattern Painting.” ART NEWS, February 1978.
Kingsley, April. “Art.” THE VILLAGE VOICE, September 25, 1978.
Dallier, Aline. “La Critique, Les Femmes et L’Art.” OPUS, October 1978.
DECORATIVE ART-RECENT WORKS. Exhibition catalogue, Douglass College,November 20-December 4, 1978. (*Ixion)
Frank, Peter. “A Passel of Patterners.” THE VILLAGE VOICE, February 19,1979.
Rickey, Carrie, “Decoration, Ornament, Pattern and Utility, Four Tendencies in Search of a Movement.” FLASH ART, June-July 1979. (*Ixion)
Perreault, John. “Patern - Eine Einfuhrung.” DU, June 1979. (*Summer’s Space)
Munro, Eleanor. ORIGINALS: AMERICAN WOMEN ARTISTS. Simon and Schuster,New York, 1979 and Da Capo Press, 2000, PCIV. (*Persian Steep)
Alloway, Lawrence. “Post Masculine Art: Women Artists 1970-1980.” THE ART JOURNAL, Summer 1980. (*Sierra)
Kingsley, April. ISLAMIC ALLUSIONS. Exhibition catalogue, Alternative Museum, December 20, 1980-January 31, 1981. (*Ravenna Eve)
Mayhall, Dorothy, NEW DIMENSIONS IN DRAWING, 1950-1980. Exhibition catalogue, Aldrich Museum of Contemporary Art, Ridgefield, CT, May 2-September 6, 1981.
Nemser, Rebecca M.K. “Mary Grigoriadis, A.I.R. Gallery Group.” ART NEW ENGLAND, November 1981. (*Constantine’s Fancy)
Gibson, Ann. “Painting Outside the Paradigm.” ARTS, February 1983. (*Persian Steep)
Robins, Corinne. WALLS OF THE SEVENTIES. Exhibition catalogue, Queensborough Community College, NY, April 10-30, 1983. (*Rain Dance)
Robins, Corinne. THE PLURALIST ERA 1968-1981. Harper and Row, New York, 1984. (*Rain Dance)
REPRESENTATIVE WORKS 1971-1984, Women Artists Series. Exhibition catalogue, Douglass College, New Brunswick, NJ, 1984.
Marter, Joan. “Mary Grigoriadis.” ARTS Magazine, November 1984. (*Monument #9)
Baskett, Rosamund S. “From Borrowers to the Culturally Imbued: A Study of Five Modern Artists’ Use of Medieval Sources.” Unpublished thesis, Rutgers U., 1984.
Lerman, Ora. “Autobiographical Journey: Can Art Transform Personal and Cultural Loss?” ARTS Magazine, May 1985. (*Dragon Slayer and *Cornices)
Perreault, John and Judy Collischan Van Wagner. ADORNMENTS. Exhibition catalogue, Bernice Steinbaum Gallery, December 1985-January 1986. (*Yoke)
Ferren, Rae and Helen Harrison. NEW SPACES / NEW FACES. Exhibition catalogue, Guild Hall, East Hampton, NY, July-August 1987. (*Nike)
Crane, Diana. THE TRANSFORMATION OF THE AVANT GARDE, The University of Chicago Press, Chicago and London, 1989.
Kingsley, April. NEW VOICES. Exhibition catalogue, Cooper Union, New York, November 17 - December 2, 1990. (*Night Bloom and *By the Sea #2)
McGruder, Karen. “Mary H. Dana Women Artists Series.” JOURNAL OF THE RUTGERS UNIVERSITY LIBRARIES, Vol. LIV (1), 1992. (*Nike)
Broude, Norma and Mary D. Gerrard, Eds. THE POWER OF FEMINIST ART, Harry N. Abrams, Inc. l994.
Heller, Jules and Nancy G. Heller, Eds. NORTH AMERICAN WOMEN ARTISTS OF THE TWENTIETH CENTURY: A BIOGRAPHICAL DICTIONARY, Gerard Publishing, New York and London, 1995.
Sterling Fischer, Susan. WOMEN ARTISTS: THE NATIONAL MUSEUM OF WOMEN IN THE ARTS, Abbeville Press, New York, 1995. (*Persian Steep)
Olin, Ferris and Marianne Ficarra. 25 YEARS OF FEMINISM, 25 YEARS OF WOMEN’S WORK, Exhibition catalogue, Rutgers Univ., NJ, Oct. 3-30, 1996. (*Portal #22)
PRINT PORTFOLIO and CD-ROM: Works from the Collection of the National Museum of Women in the Arts, McGraw - Hill, New York, 1998. (*Persian Steep)
Selz, Peter and William Valerio. MODERN ODYSSEYS - GREEK AMERICAN ARTISTS OF THE 20th CENTURY. Exhibition catalogue, Queens Museum, 1999-2000. (*Rain Dance and *Tutankhamen’s Repose) Published in Greek for MODERN ODYSSEY’S, State Museum of Contemporary Art, Thessaloniki, Greece, 2000.
Kalina, Richard. “Odysseus’s Progeny.” ART IN AMERICA, September 2000. (*Rain Dance)
Robinson, Hilary, Ed., FEMINISM - ART THEORY: AN ANTHOLOGY 1968-2001, Blackwells, UK, 2001.
Taylor, Simon and Natalie Ng, PERSONAL AND POLITICAL:
THE WOMEN’S ART MOVEMENT, 1969-1975. Exhibition catalogue. Guild Hall Museum, East Hampton, NY, August 10 - October 20, 2002. (*Rain Dance)
Lovelace, Carey, “Feminism at 40.” ART IN AMERICA, MAY 2003.
Kosmidou, Zoe, THE POWER OF VISUAL LOGOS, GREEK WOMEN ARTISTS. The International Center for Arts and Nature, Athens, Greece, 2003. (*By the Sea #4, *By the Sea #5, *Portal #20, *Portal #28, *Portal #29)
Grigoriadis, Mary, “In Her Own Words.” WOMEN IN THE ARTS, Spring 2004. (*Poppy and *Persian Steep)
Riley, Jennifer, “Women’s Work: Homage to Feminist Art,” THE NEW YORK SUN, March 22, 2007. (*By the Sea #2)
Munter, Cameron and Marilyn Wyatt, “Contemporary Art by American Women.” Exhibition catalogue, United States Embassy, Belgrade, Serbia, September 2008. (*By the Light of the Silvery Moon and *Shall We Dance?)
Levin, Kim, "How PoMp Can You Go?" ARTNEWS, October 212 (*Nike)
Brown, Meredith A., "The Pioneering Years of A.I.R., A.I.R. Pioneers: Portraits by Judy Cooper, Viovio.com, 2013
Saltz, Jerry, "Mary Grigoriadis," NEW YORK ART MAGAZINE, April 15-21, 2103.
Smith, Roberta, "Art in Review: Mary Grigoriadis, Strokescapes 1970's-1980's," THE NEW YORK TIMES, April 26, 2013. (*RAIN DANCE)
SELECTED PUBLIC COLLECTIONS
The Virginia Museum of Fine Art, Richmond, VA
Eli and Edythe Broad Art Museum, East Lansing, MI
The National Museum of Women in the Arts, Washington, DC
Chase Manhattan Bank Art Collection
Allen Memorial Art Museum, Oberlin, OH
Hoffman La Roche Corporation, Geneva, Switzerland
First National Bank of Chicago
Cabot Corporation, Boston, MA
The Vorres Museum, Athens, Greece
Best Products, Richmond, VA
Electronic Data Systems Corporation
Lincoln Hospital, New York
The Parrish Art Museum, Southampton, NY
Continental Insurance Companies
United States Embassy Annex, Athens, Greece
The National Museum of American Art, Smithsonian Institution, Washington, DC
Foundation for Life, Mount Kisco, NY
The Boston Co., Boston, MA
Prudential Insurance Corporation
Derfner Museum, Riverdale, NY
The Federal Reserve Bank of Richmond, Richmond, VA
Southwest Bank, Miami, FL
Joan Flasch Artists’ Books (SIAC), Chicago
The Guild Hall Museum, East Hampton, NY